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Vintage

For a new social ergonomics: the technophobes also have write blogs and emails

The geek defined in his love of fashion and technology undifferentiated (perfect tropes where again and agree on the most accurate confusion.)

The technophobe, meanwhile, is also objective in the same taste, but clearly preferred technology undetermined to an earlier time. Another way to take the vintage .

Are these issues that we confront not believe they stage a dispute disguised just what we mean by comfort ? It's something we try to disguise , but technology in all their faces (directly or indirectly) involves ideologies comfort. Ideologies that result and consumed, of course, in aesthetic proposals.
is the teaching of classical avant-garde artists like Picabia , Raymond Roussel and Duchamp : where is determined by technology, imposes an aesthetic.

Comfort: the ultimate goal of industrial technology is invisible. This is what happens with any appliance, it immediately naturalize, camouflages adding to the routines that we print. It became an element most of our decorated . Only once again on display when not working as we require. We know: technology becomes visible when it fails .

symptom of our cultural horizon: technophobic is not one who does not use the technology, but rather that they use (as often so intense), the despised. Another way to be fashionable.
For the longest time peak of any technology was the creation of robots. Even before the Czech writer Karel Kapek invented the name. The robot, as servant, not just a builder comfort.
Worst nightmare of technology, therefore, is but the perversion of that comfort. All versions of Astroboy , his fables, the state: nothing more horrifying than a comfort machines. The same terror
Asimov described in I Robot.
to
McLuhan If technology is our continued in these dystopias humans, by horrible investment, no longer just the extension of the increasingly self-sufficient machines. What would then be the task of art that tirelessly point out how strange it may be the machines? I'm not referring to anything other than their distortion: ejected from the everyday invisibility.

What else is the vintage? Pure reuse. An aesthetic that is clipped by definition visual modes present. If aesthetics is a way to appoint the time, the vintage involves the staging of another language. The vintage restart a way we were supposed to shut down, picks up the story at the same point in which our predecessors started to leave.

should not be nostalgia, but of trust in an aesthetic yet has much to say. In this sense, the pre-Raphaelites were vintage avant la lettre .
vintage
The scheme does not call or the utopia or its reverse, dystopia, but his cousin, ucronia . Raises questions about the likely and unlikely future of a plot we thought closed forever. The vintage desmuseifica making everything in a museum (paving the differences.)

digital virtuality (the reorganization of our imagination now vintage) is determined, in all cases, a hardware (basic condition of existence, least in our times amphibians). Hardware necessarily proposing a social ergonomics (the place where our bodies are virtual hosts while expanding). I can only remember that figure narrated by Michel Tournier's novel King of the Alders : the hipnódromo, ie the description of the bodies of sleeping children.

What is your body position right now as you read these lines? What new positions
experience as we take turns with our IPAD ?

more hours and interact in virtual environments are more sobredeterminante our positions for personal injury. How we see when everything is once and for all unplugged?

Metal Core Schematics

THE PHRASE TECHNOLOGY NEIGHBOUR

This happened some time ago, when we tried to convince that there was a demon in human guise named Saddam Hussein , and therefore required a holy war which for reasons of marketing called Gulf War. The first.

I, like you do not just believe me, I decided to express my disagreement with a white sheet hanging on the balcony. Before going further I should mention two things: first lived in the Eixample in an old building with a neighbor whose grandchildren were more gray than Snowflake Snowman (RIP). Furthermore, what of putting up posters, sheets or banners, but it was done and looked at other streets, the mine was deserted cars catching dust and stains from pigeons Barcelona mutants.

One day, when I came home from work, I met a neighbor downstairs and she greeted me:

- Hello. How are you doing?

- Well, surviving as usual.

- I've seen you put the washing on the balcony.

- No. "I replied, trying find the words clearer and simpler to not have to explain in detail the relationship policy between foreign and part of the dowry of my house. - I have not put out to dry, if not to protest by war.

- Ya, if it seems to me, what happens is that the guard came and said he was forbidden to hang clothes on the street.

This got me out of my boxes. How was it possible to come the police to touch noses with a silly excuse and they can even be able to tell me directly, but it will serve as the old woman to try to pressure me?

I left her and walked up the stairs outraged. Were to find out with whom he played rooms. Do not leave them alone and started thinking to imagine possibilities :

• Find a sawed-off shotgun, go to the full City Council and justice.
• bonzo to burn, naked and wrapped in bloody sheets in Plaza Sant Jaume .
• Becoming a Rambo and throw me to the mountain, that is, the mountains of Collserola and make guerrilla warfare and revolutionary to charge a toll on the C-58.

may not spent less than ten minutes when I started playing feet on the ground and rethink everything. Had not he said he had been a guard? Perhaps to get back the ticket and now I would be present.

I went downstairs and knocked on the door:

- Hello, I become myself. One question, Ms . Anna, "said the guard if he would come?

- do not know, long ago.

- But when the call came?

- during the war.

- But what war I speak? "He asked , sensing and fearing the answer.

- do what you want it? Ours, son of ours.

Graduating Soon When To Apply For Jobs

and further cultivating the Divine Paranoia

Your life as procrastinauta

Our life is an index .
as I say index listing the contents of a book .
Book
peculiar, since it is only a metaphor you type in the immediacy of virtual time . Step explain.

exercise is a good plot to our lives as a file . An archive of files. The most advanced digital virtuality in our daily life generate more items (we have a will of others) to be studied. We determined the consumption of information we do and are available to other (the blessed index).

abound No more with the same, with the overextended use of networks and his usual procrastination. We spent hours and hours running around on the web and the truth is that everything is recorded . Someone can read your life with the thoroughness of you know is what you do hour by hour.

Many of you will know the severity freak writer Martin Kohan be noted that does each of the hours of his life in a diary: life written in real time. He is not alone: \u200b\u200beach of us unfolds that makes every minute of his life when it goes on the web (which is not a time for anything less.) speak memorial register.
You do not have more to look at the history of your browser (either Mozilla Forefox, Google Chrome, the Windows Explorer, the Opera or you choose). It is the tool that has left absolute precision what you do when you're on the web . I speak this
.

And now, today, mobile machinery, the iPhone, especially with the iPad ,
This "being on the web" is enhanced significantly .

The network is our shadow. We remain, is in your backpack or in our pockets wherever we go. announced what Eva & Franco Mattes Vopos your project, it's part of our routine. Not that these Italian artists are visionaries, but have long warned us " when you realize the file from their lives and be well stored in the disposal of other ."
Do we have to get paranoid?
That is not the key or should not be. What I think is that we have modeling paranoia in our favor.

As sons and a product of contemporary culture, we are addicted to information . All types of information. And this is not nothing but time use, social behavior modeling .

Until recently, a good way to investigate the sociability and cultural productivity of an individual was subjected to the test of Man in the rain . Should no longer be necessary. Now you can know how we are, what we define ourselves, simply by analyzing how procrastinate. The procrastination, of course, is compulsory. Part of a continuing desire for information, information as a drug to which we are all addicted .

A desire pornópata to see everything, to understand everything, learn everything. Of the lives of our friends and enemies, news of the world, everything I wanted to know and before we knew how to look, where to look.
say
information and I mean tons and tons of low information. De junk information, discard. All that we do not care to remember, to be dumped in the same instant. Is the information, once again, marking a new morphology of desire. a desire that is always culturally and that procrastination does nothing to feed and grow .

But there is something that our behavior is distracting and seem procrastinantes that digital virtuality is inscribed: generates files .
Everything goes through a network software is registered somewhere.

We are what we eat, we consume information. That is, we are also the information that someone may read. The habit (because this file is chronological develops over time, drawing an agenda that we do not control or no control at all) that we transformed into information. Mircea Eliade

: In every traditional society, any responsible gesture reproduced a mythical model, trashumano and, consequently, unfolded in a sacred time. The work, crafts, war, love, were sacraments. Reliving what the gods had lived in tempore illi translated by an overestimation of human existence thus completing the sacredness of the cosmos and life . (...) The real "down time" begins with the de-sacralization of work: only occurs in modern societies that the man feels a prisoner of his office. And it is because it can not "Kill" their time during work hours - that is, the time enjoying their true social identity by which strives to "get out of Time" in his spare time, whence the dizzying number of distractions invented by modern civilizations. "

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ANNOUNCEMENT FOR MUCH

Dzierżysław Dawniej

DA NEXT ... GIFTS

time ago parents when they played a related topic with the children I looked over shoulder (figuratively ) and I implied that I could not understand .

me want to talk to these parents to see if I can now understand.

other hand I still do not understand why my father told me: When you are parent eat eggs. In cholesterol

I have.

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as basic as our present is nothing but science fiction film Porn Chinese uncles

modes of making art always wary of the multiplicity . Therefore, we continue to be valuable chronicle all the forms that were designed to limit this proliferation. It's easy to invent buzzwords, clichés. loss aura assayed by Benjamin and is, so much of her writing, just another common among other .

However, the claim of uniqueness, of individuality last of all the work we find it (and not at all paradoxically) a key and strong in our social practices.
education figures such as the ready-made or found footage let it be clear: what is conceived serial demolishing their value can increase from simple gesture of a kidnapping . For ready-made, found footage or object trouvé (like the détournement, all different copies of the same family) determine that removal is an asset founding. The removal of habitat, change the use for which they were conceived. Technology
diverted. Let us once again: barbarize art languages \u200b\u200b technology.

relations between art and technology do not hold any other course.

a technological work of art is when it occurs in both technology author. Of course there is a wide range of technology author and the vast majority of these events have nothing to do with art. The difference is basic: barbarized technology or simply closes itself. Prevents or question their proliferation. already know: what is often perceived, uninformed, as absurd and useless does not suggest the removal of a widespread social use .
I am increasingly interested in the work of Argentine artist Leonello Zambon. In its proposals for mobile laboratories. Two paradigms are combined in each of his works sophistication and precarious.
come back to him and his projects in future postings.

New technologies can only seem to accept the uniqueness of the tune through software (and really is not any tune). In the limited selection of certain assumptions held by design.

In ways such as in the choice of desktop reasons. Tell me how you have your screen and tell you that much more problematical aesthetic everyday social life. To a lesser extent the type of operating system and programs that articulate, after all, adopting Linux both an ideology, as a way of thinking the world .

But in all cases the system that powers your computer is exactly the same as that of millions of other machines. A clone among so many other . It is precisely at this point in which art exposes their differences.

More than ever, the art of today trace their positions and strategies in a cultural history virtuality us within one chapter by others unpublished.

All software hardware demands, but two hemispheres are not the same. two relatively independent dimensions and from a certain point of view, no one could tell what commands which. We are witnessing the most accurate metaphor on contemporary behaviors virtuality.
The material and virtual for centuries were presented showing their rank in society, after all, the virtual is nothing different state of material. I wrote on another occasion that we know as virtual for centuries was no different to the dustbin reality. But this relationship does not keep time the same proportions.

More and more we define ourselves in the virtual. More and more we communicate through means that were more determined in both virtual materials. Does Dolly put us on alert? Everyone today (at least in part) Dolly the sheep. Again the ABC cyborg theory: the software that defines us can be cloned indefinitely. No hardware
or software that is not articulated in a complex of metaphors. Navigation cyberspace and so many other figures that appropriated the imagery technology and glossaries of science fiction.
Need to learn more about the technology the day after tomorrow?
Lee (or relay) to Tinianov .

however, still difficult to accept, at least en masse, we are constituted by these forms of narrative and what we call science fiction, more than ever, it is not just another variable time.

Kate The Rappit Stream

born just Daniela .

-For those interested in issues of morphology: a pretty brunette girl (I'd say copper), with lots of hair (although entries, is the only thing we seem to) that opens above the left eye to scan your surroundings.

-For those interested in statistical issues: weight 3.200 and is almost 50 cm. Born on 11 at 9:45.

-For those interested in family trees, have genes from Africa, Europe ( as the latest up to 4% of Neanderthal genes ) and America (and therefore Eurasian).

-For those interested in behavior: it seems that the moment is very quiet, sleeps well and eats a lot (like her sister).

-For those interested in astrological themes: virgo know it's not that that's me and I was born in August. More .

If your interest goes beyond these issues do not hesitate to let me know and seek information.

I know that these messages are accompanied by pictures, but the truth, glups, not that it is very photogenic and I will not diminish your love seeing her like that.

Of course, when I get to spend their photos through an image program (such Dermoestética corporation) and you send. Suggestions received .

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Are not more and more couples are filmed having sex? ( see ).
Are not more and more couples having sex footage circulating on the Internet? ( see ).

Do not imitate the professional porn increasingly on their aesthetic porn casual, homey? ( see ).

Is not a phenomenon not so distant that of Flickrs Fotologs and where thousands and thousands of people we open the doors of their privacy? If eroticism promised and was based on a secret, porn all enabled.
Do not grow the supply of sex webcams? ( see ).
Do not multiply opportunities as CAM4 portals, where he sexually no other intimacies-demand porn a spectator? ( see ).

If the porn is defined as the ability to view sex is porn the same subject (who notes) which continues to expand its appetite.

Everything begins to look with eyes porn. For the eyes (our eyes) are metabolizing the mediation of the image. Perhaps soon there may be massive contact lenses augmented reality?
reality as another videogame, among others. ( see ). Porn

prosumisión . ( see ). Porn made by producers and consumers. If a story about porn visited blogs and web portals in recent weeks, this was the order of the producers and stars of adult films "which, through YouTube and other sites, asking anyone who would listen to buy porn.
" work for you. We want to excite and amuse . " ( see ).

Watch this video. And this. Read their claims. ( see ).

Meanwhile, l words are as moving: Confucius was right . Never again split schemes of visual and word.

live the absolute triumph of the visual: the promise of seeing everything we invade. Practices such as the advantage Found Footage: footage from security cameras are usually a great material to reconstruct stories there that nobody dared to look. ( see ).

The visual-junk is re-quoted. Do not do anything different to offer see, see, watch and keep watching?

If sex was the possibility to reuse all the senses, lost in touch, smells, tastes, some time ago that even the sounds seem an epiphenomenon of the visual. Visuality dominates everything (although, Jay M artin , we note that increasingly distrusts her more, but this, we also know, is transient). Did
virtual sex is not the total victory of the visual? ( see ).

The image is more and more dissociated from the rest of the senses. It makes us believe that it replaces. You can rearrange them, to teach the world (our environment) without more than a fading role of the rest. Maffesoli

insists modernity has failed to curb the untamed, the brutal of our most atavistic instincts. ( see ). Virtual sex (experiences in a 3D digital platform, in a world of software) they reduce everything to a viewer who wants to star.
there is no longer a protagonist who is not privileged spectator.

Spectator, not necessarily reader.
not about the evolution of the Gutenberg Galaxy . Did
there is something more private than reading?

While there is representation, as can be seen, the reign of the image will not be absolute. The concept of representation reminds us that there is something else. That there is something represented.
we not be valued only as images.
Perhaps our task (our challenge) is to help our other senses to give more battle. ( see .)

proclaim that everything can not be seen. That the spectator porn has its limitations. That closing more and more possibilities. Porno
remains, too, see what we already knew we were going to see.
fascinates and seduces Porn precisely and predictability (the kamasutra exhausted his catalog). The avant-garde classics
clamored for eroticism over pornography.
When eroticism is but one of the variables of secrecy. Reinventing

privacy (because there is nothing more strategic that privacy). Reinventing their meanings, uses and consequences.

Dad Masterbates In Front Of Me

If you have a boss that you hate (but you depend on him), some cousins \u200b\u200bcan not stand (but as we are Latino family: sacred), a neighbor unbearable (but with which you have to get along since you never know when you will miss an essential salt or onion) ... For that, you can not be nasty and not only that, for some ridiculous and questionable conventions social, you have to smile and be friendly.

is terrible but true.

But God squeezes but does not drown.

If you have a young son and for very little money you can put them the Trojan horse at home.

For example, Ikea and for only 5 euros you can buy an igloo occupying half a room. For something less you can buy clay with a device that shape short filament crushes ... For some strange reason, this compound tends to spread throughout the house and you can find in the most unexpected places. Furthermore, it must be the only matter in the universe that never ends.

For a similar amount can buy pens that do not stain. Ja ! I can assure that after investing in a package of detergent and a bottle of fabric softener , stains are as in the first wash, yes, with a pleasant smell of fabric softener . It goes without saying all the elements of home furnishings that are susceptible to be stained with these markers.

For that investment, and with the enemy at home (the child cry, kick, scream ... who wants to put the igloo in the dining room that does not remove the dough or wants to continue drawing), the fun is guaranteed.

When you're down just go home with a new gift.

Wedding Decorator Tree Branch Centerpieces

TWO NEW PICTURES, DOS BARCELONA

Let's find homemade food. Go three in a car: one born in Zaragoza, his wife is Russian and me. It is a house Fabra i Puig with garden and orchard, the place is great although I would remove the pine trees in the courtyard. Serves us an Armenian while preparing food just inviting us to eat unleavened bread made with grilled meat and drink vodka and white wine. The typical hospitality Armenia, I say. Within an hour I will be in another house surrounded by Peru, Colombia, Paraguay, Palestinian, English ... Ah! and a Brazilian couple (one is my daughter).

thousand years ago I remember a gray Barcelona and monolingual. Happy to have stayed in the Metropolitan train on a train going to Plaza Catalunya hearing about a very young child in Catalan. They spoke, of course, but not heard or at least I did not hear in public. I also remember me been listening to some English speaking tourists on Las Ramblas. There were many tourists (though now it seems strange is to find a native in the same place).

Barcelona has changed so much that seems to be two different cities.