Feeling Hungry With The Stomach Flu

Loop / land

Culture and recycling policies

Recycling can be understood in two senses. Or three.

Here. First . propose a new cycle to an object, material, even an experience. insist on the same, but otherwise. omit or abdicate the possibility of starting from scratch.

Segundo. persist in submitting to that object, or material or experience the same cycle, with the aim of deepening effects. In this case repetition loop in charge. "We would understand

the ready-made adscribiéramos if the first possibility? Say it is another trip for the same ship . With the exception of one invent functions previously had been awarded.

This possibility (this extended sense, with all the political, economic and aesthetic mostly entails) was and continues to constitute, as we know, a major scandals modernity.

Of course, in our age of digital reproducibility alternatives become even more complex (check Mercedes Bunz). We live in virtual recycle time literally uncontrollable. Return to this point. In

the case of trash, recycling is directly invent (the object, material, etc) a new life. Another life. This is a key difference with the ready-made. Somehow, the trash does not get rid of its past "under" .
obedience to a theory of value could say that in the ready-made object leaves the destination below to go to another site while the trash displacement is minimal or even no .

The trash does not change the state, but only assessment.
There were those who saw in the ready-made a kind of parody of transubstantiation. The trash belongs, of course, to the second possibility.

But I said there was a third, which is what interests me at this time. And it is ( Third) of another rate provide .
cycle change such as changes in pulse progress.

We only have to remember gender as the cool jazz or trip-hop . Even the slow-rock . If the first purchases his legend in malfunction of recording equipment (runs slower on the register slowdown tempo original implementation), the trip-hop and slow rock mounted and perfected this failure, making their subsequent proceedings style.

If we agree with Nicolas Bourriaud that "the major aesthetic fact of our time lies in the crossing of the respective properties of space and time , which transforms the latter into something so tangible as a hotel room, there is little doubt about the capital of this speed change. Bourriaud continues: "For these new modes of spatialization of time, contemporary art forms suitable place to capture the experience of the world, through practical could call time-specific, in response to site-specific art of '60s, and the introduction in the composition of works of figures taken from the spatial displacement (rancid, journeys, expeditions). "

may object to me: not every change in the structure is properly recycled. But the fact is that tempo change makes everything change following (almost) exactly the same and yet different. speed (more, less) reinvents the time.

How cycles are altered in the era of speed? This question ends definitely be conclusive. Recycling
involved in all cases, we advance, another orbiting, orbit configuration differential.
It is difficult to agree with Diedrich Diederichsen : the loop expands and enforces. And our cultural perceptions are directly proportional to the tempo of these loops .

Recycling finally perverts abandonment. Stretch. Loop perhaps is not a way to not go? also perpetuate the goal, no doubt. Meta by definition never leaves the starting point .

wrote recently: "One way not to go." I need to clarify. not go, yes, but not to reaffirm the closeness . Recycling (and loop) allow us to be very, very far without moving on the same site .

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WHAT CAN BE SAID IN THESE CASES?

- Have you ever born?

"No, not yet. We are in the final.

- What is a boy or girl?

-girl.

"You must be worried, right?

- Why?

"Look, if more comes out when a Moor. Or worse with black. *

* The interlocutor is 42 and he is serious.

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And we are also the style of our hard disk

is clear: us the information we collect on our hard drive .
The not delete. The one that lasts longer .

That amount of folders full of files that we create in our minds virtual and end up being our diary.
Our box of belongings.
Our voices black box.
All this accumulation of elements that defines us.

Each computer is a guardian of our subjectivity. Of our ways of relating to the world.
Does not it is called "personal computer ?

is not difficult to realize that every hard disk has style. In its way, the regulations and classifications by we choose daily are building a facility.
also a lab (test site).

thoughts turn to the Voyager space probes or the Pioneer surfing the galaxy, rather distant places, carrying gold records an edition of treasures of mankind. Our computer also is a storehouse of valuable information for each one of us (in his own way an autobiography other data) to refurbish the day. Finally
a hacker (or rather, a cracker ) is not only a plunderer of our stories (Of the elements that constitute it.)

course, for many centuries the stories of the world was so much less. Many.
Too many less? Think
as detailed in the journal Mr. Samuel Pepys, in the late seventeenth century (an outpost of the stories of intimacy).
Consider also the dynamics of the literary salons . clubs in nineteenth-century English gentlemen (Terry Eagleton the institutes as the nucleus of what we call critical ). Voices
too lonely, too unique, too private.
Even then multiplied voices like an avalanche. We
absorbing more and more and more voices.
Do most blame is demography? Does literacy? Does the press? Do museums? Are the mass media? Does the Internet?

is a fact: each generation of artists has to live with more and more stories available (at some time enough for him a handful of myths). Information sharing: narrative. The beautiful

documentary It Might Get Loud, Davis Guggenheim of , hear the voice of Jack White sentence: "You must unite the family. You must be part of it. Family of storytellers. (...) People get ideas and new tricks to tell the same story differently. We all do the same. We seek to share something with another human being . "

Both were written in recent years about the self as spectacle on the horizon of Web 2.0 and their cultures . But the truth is that every artist has to live hour by hour with so many stories that will affect his already impossible to proceed without entrenched in the earthquake unstoppable voices.

As surely as everyone chooses the voices you want to hear (read, see). Voices and images say say (Fixed, moveable) . Between stories and narratives and stories and more stories.

Each Fotolog is a narrative, each Flickr it is also every blog and every new release of Buzz . Even the videos themselves that got on Youtube or Vimeo (or any other similar platform). Stories that have a lot of daily batch of photos and random moments.
We talked much about the subject days ago in the city of Rosario in the meeting organized by Favorite Sister.

Elsewhere in the film, Jack White talks about his devotion to discovery and the bluesman Son House . " I identified a thousand ways. I did not know that was possible. Just sing and clap. It meant everything. (...) One man against the world in song. I heard everything disappeared. It did not matter to clap out of time. No matter that did not have instruments. All that mattered was the attitude of the song . " U

No artist is a voice, a set of images, words, sounds, objects . A set of objects such as those set forth in a showcase Inne Monoambiente Martino. You're seeing a wall of my house, Pam Passage of Rosario. Books, records, statements. Forms.
(Some images of this blog posting are your , and the last is Virginia Negri).

That is the question. told with what we have, just as that which accumulated almost without realizing it defines us, and at all times speak for us .

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Shuffle Sexy cyberpunk

I know, we are fed up ready-mades. Still need to give another turn to the already overstretched and diluted concept to get a bit more like a gadget iPad, the new star of Apple.

Forget the "out of context" and draw near to reuse. Ready made is primarily an object reuse in another form. Does not interest me as much as perversion of collecting (the possibility of making a flea market art museum), but this bottle enabled sensitive condition: the act of taking something and give a different reading. What else is found footage?

As technology insists produce new platforms (the renewal of context on the content ) the ready made pushes us to provide other value (new meaning) to an object without incident. This is the political principle. Another way to make something different.

Jarvis Cocker: "Best of the decade? Shuffle! (Vote in Rolling Stone last ).

Here the readymade is about to remake : back on the same but pushes it in another direction. is not dreaming of a new door, but suspect that the door can lead us elsewhere.
is precisely at this junction, where aesthetics should stop being contemplative (he left the aesthetic theorist) to amplify its function: transform the perversion of value use perversion. Aesthetics should present itself as a GPS involved, contaminated: show us the way by which one wants to lead.

The eBook , as the iPad invite us to connect with the same content differently. Leaner, more practical (review this last word). The readymade and found footage tell us that on the same platform is camouflaged a new planet.

For no other reason what we mean by ready made serves us very little. Because not enough any object moving to another area (An exhibition). This is forcing him to pervert his sense produce another narrative.
The rereading of an author as Leonidas Lamborghini are exemplary in what I say.
Against Me! Axl Rose Reiventing .

technology lives on the expiry of a platform. After all, one of its central figures are appliances. When we buy a laptop know that soon become garbage. A bottle as well as an antique, you know that term is pure fantasy. No need to fight the shelf life of a platform. On the contrary, we should investigate more in the style Han Solo: Do \u200b\u200bnot forget that the Millennium Falcon was a ship almost obsolete.

We would love our sense arduino not be simplified in the mere fact of staging a prototype alternative. But encourage the passage uchronic: any gadget can provide a narrative that does not match at all with the official version. Opening to other fiction, tune into the channel from another dimension.

What I like about the website, its dynamics, it is accessibility, that "have everything so handy, but its infinite capacity for cross-and-run, his wonderful metaphor navigation . Cyberspace not a huge library or archive with everything in place, but as a highway where a URL is just another connector URL with another URL and so on indefinitely. I think my paranoia Contagious tests pounded enough with this option.

is the basic difference between divination and decryption . The latter stems from the possibility of a destination: everything is planned in advance. We walked through the maze someone built. Divination, without closing this option enables others: perhaps the maze ever. If a winter's night a traveler. Best of the compasses is that they can go crazy.

Magritte knew that a pipe is not a pipe. One of the cornerstones of (500) days of Summer (of Marc Webb) are the positions swapped characters: Finn Summer (Zooey Deschanel ) does not believe in destiny. Tom Henson (Joseph Gordon-Leavitt ) wants to exceed chance.
What is your order?

The art continues to invent procedures that should never be restricted to the halls of a museum . Advertisers know this very well. We should be more outsmart them.

Wish You Well Summary Each Chapter

My grandmother was

Novel "in Twitter?
Cinema "for Youtube?

What do we assess when we encounter an experience like Chicken Serial ? Does the state of the novel or the possibilities of Twitter? Or both?

For when a movement of filmmakers who just filmed for YouTube? Is not there already? No programs or serials, but feature films.

Exactly the opposite of Benjamin and his commentators , the moment that most attracts me is half when, immediately after their extensive introduction, Everything seems maladjusted , when the ghost of the past disqualifies formats and demands what he is not interested in providing. Benjamin like Luchino Visconti divine knew that elegant decadence is when it is formatted in aristocracy.
The mistrust and awkwardness to technology socially passes for many as a sign of cultural aristocracy .

Should not we ask for the umpteenth time what experimental ? What is the role? In fact the more I question is another round in what way experimental aging?
Is not there something moving in an avant-garde in years? What if complejizáramos
again not always easy relations between experimental and avant-garde ?
more so when we agree to recognize the avant-garde (and modern interior) as a chapter "momentary, definitely? closed.

live stories and myths (thankfully). Do not follow naming experimental to decoupling that occurs between our way of perceiving (which we expect to receive) and the test site that explores the possibilities of delayed or denied to half ? We have difficulty so often call it natural to decode so fast that we hardly realize.

For example, these genres that have no name yet, or at least not a definitive name, made possible by the immense file that the web provides us ( idiots and so fun jokes made with images obtained from the same network) are so old and new while no one dares to claim them as an aesthetic .

Fernando Castro Florez. "The historical development had limited dematerialized trends, although the result is anathematize paint and attach to the contextualization (what is loosely called "installation ") certificate of naturalization. But the shift to the sociologist, the "political rhetoric " or the scandals have agreed that marketing
(whether parodic key with integrated merely dismantled or vocation) to neutralize itself. Again raises the question of the hic et nunc of the artwork, what kind of presence can have in the era of digitalization look. "

Just as a rock invented Once the No-Wave , but the Post-Web touted by Jaron Lanier Zepel , should search on the Web -No, the opposite of the aesthetic that promotes web.

long ago I wonder what they can present different or specific as the art made especially for metaverse. Already, social networks impose their aesthetics, their poor idea of \u200b\u200bwhat may be the format of fiction that this whisper from our immediate future.

Stories "? As elementary and definitive
like each of us has a story , and we know actors up an account and crossed by hundreds and thousands of other stories , when every story is an accumulation of feelings, doubts, certainties and programmatic oversights.

I like to think hundreds of thousands of blogs and twitters and videos on Youtube or Vimeo as triggers dynamic that produces a monstrous not always random connection between so many memories in virtual time. If this site is available and interconnection, the fact is that at any other time so many stories were so interconnected and interinfluidas. Never before has a book, song, film, drawing, photograph intermarried so in such a devastating pace. And although we relentlessly pondering what kind of readers, observers, writers and producers are becoming images, increasingly more experience the thrill of being exposed and crossed by million stories to a grinding speed .


We are made of the same subject matter of these stories.
no longer read or see or hear or write the same way, although we have the impression that everything is more or less as usual.

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BOOKS USED BOOKS

I have half an hour for the appointment. I've been to two bars doing time I've read to the newspaper La Razon. I walk into a store second hand furniture. In the back wall there are shelves where books are stacked accompanying furniture. You could make a sketch of who these people were, what bank or savings had savings, their ages and their sociological profile.

are always the three volumes, sometimes unpaired, the joys and the shadows of Torrente Ballester , books offered by the Vanguard, and others who gave La Caixa and Caixa de Sabadell , the complete collection (is there anyone who has ever read those?) Metro awards; The five, seven, the mysteries of Enid Blyton, the selections of Reader's Digest, the unspeakable of the Church Alvaro ...

meeting

These small book of a great memory of AR Luria . How is it possible? It is a little gem of Neuroscience. Despite having 37, marks the book only shows up on page 43. I ask the price. 50 cents. I look for if you bought the book bought other jewelry. I see nothing.